Shooter Jennings and Stephen King team for 'Black Ribbons'
Posted: March 1, 2010, 13:11
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The effect of "Black Ribbons" is heightened considerably by King's droll, seemingly off-the-cuff riffs, full of righteous indignation and underlying humor as he rails against mounting government oppression and champions the importance of the voice of the individual to counter it. The album's conceit is that Will O' the Wisp is about to be shut down by the forces of conformity; he's making his last stand playing music by Hierophant, the fictional name Jennings has given the .357s for this project.
"It's a tremendously spooky idea," King, who had admired the .357s music he'd heard, said in a separate interview about his reasons for volunteering his services. "He sent me a draft, and it was just about perfect. I altered a few things and expanded some of it, but he knew exactly what he wanted. . . . To me, it was brilliant, the way the talk and the music weave in and out. I haven't heard the final version, but I heard a rough mix I thought was pretty good, even though I'm not in love with the sound of my own voice."
Not only hasn't King heard the finished version of the album, he and Jennings have never met, nor spoken by telephone. Jennings, a longtime fan of King's writing, originally reached out to the author by e-mail, which is how their whole collaboration was conducted. King recorded his bits at a studio in Florida and sent the digital files back to Jennings, who inserted them into the music he'd crafted at his home and at album producer Dave Cobb's home studio in Silver Lake.
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Thanks to Bev Vincent
